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Re: A nice boost for u43 from Sharp
Let’s see what kind of sensor Sharp come up with, and how much they’re prepared to sell it for. Like most of the other manufacturers, Olympus don’t make thier own sensors. A spectacular high res sensor, that Olympus can buy, is surely THE dream for any gear headed Olyphile?
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Re: A nice boost for u43 from Sharp
I'm quite happy with 20 megapixels - the print size possible with 20MP is plenty good enough for most work. While more pixels would allow tighter cropping, going higher resolution would necessarily increase noise unless there's some big technological breakthrough.
I can see the 8K video guys enjoying the higher resolution though - noise isn't such an issue for them.Steve
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Re: A nice boost for u43 from Sharp
Originally posted by Internaut View PostLet’s see what kind of sensor Sharp come up with, and how much they’re prepared to sell it for. Like most of the other manufacturers, Olympus don’t make thier own sensors. A spectacular high res sensor, that Olympus can buy, is surely THE dream for any gear headed Olyphile?
Those doing mainly landscape and studio imaging might want more resolution (and those that do actually print above, say, 12 x 16” might indeed see some resulting improvement...), but those of us shooting things that move in lowish light would happily stick at 20Mp but dream of another stop of signal to noise ratio.
It depends what you shoot. Currently, care in exposure and knowledgable processing is needed especially above ISO1600, and this corresponds to the beginning of the ISO range you need to use the 300 Pro in typical U.K. cloudy conditions and at the beginning and end of the day, while keeping the shutter speed high enough to freeze subject movement. Eg to get critically sharp feather detail in birds in flight you need 1/2000 at least. The latest FF bodies are notably better in this key area, as long as you can manage the cost and weight, while in any decent light the latest m4/3 sensors are perfectly OK.
ISO3200 is about the m4/3 sports and wildlife limit for anything beyond social media, while an extra stop would give improvement where it would really help.
However, I’m not holding my breath - the interwebs are still on a marketing-led Mp kick.Regards,
Mark
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http://www.microcontrast.com
Too much Oly gear.
Panasonic GM5, 12-32, 12-35, 15. Laowa 7.5.
Assorted legacy lenses, plus a Fuji X70 & a Sony A7S.
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Re: A nice boost for u43 from Sharp
Generally speaking, and contrary to many people's understanding, increasing Mp count does not lead to greater noise in the final image - in fact, evidence points in the opposite direction. Per pixel noise is not the important measure it's noise in the final image.
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Re: A nice boost for u43 from Sharp
Originally posted by pdk42 View PostGenerally speaking, and contrary to many people's understanding, increasing Mp count does not lead to greater noise in the final image - in fact, evidence points in the opposite direction. Per pixel noise is not the important measure it's noise in the final image.
Do you have a pointer to any corroborative information for noise in the final image?Steve
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Re: A nice boost for u43 from Sharp
Originally posted by raichea View PostAt the individual pixel level, I think it's inarguable that noise increases as the size of the cell decreases - your comment suggests you support that, Paul.
Do you have a pointer to any corroborative information for noise in the final image?
- a7Rii (42Mp) delivers lower noise than A7ii (24Mp)
- E-M5 (16Mp) delivers lower noise than E-P3 (12Mp)
- E-M1ii (20Mp) delivers lower noise than E-M1 (16Mp)
This article is interesting too. Look to the section entitled "Different Sized Pixels in the Same Sized Sensor":
http://www.clarkvision.com/articles/...l.size.matter/
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Re: A nice boost for u43 from Sharp
Originally posted by pdk42 View PostGenerally speaking, and contrary to many people's understanding, increasing Mp count does not lead to greater noise in the final image - in fact, evidence points in the opposite direction. Per pixel noise is not the important measure it's noise in the final image.
Things will start to get rally interesting when global shutter becomes a reality. Imagine, for example, being able to expose for both highlight and shadow by having pixels alternating between two shutter speeds.
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