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Old 10th May 2016
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Re: Communal flowers, trees, plants and fungi thread

Originally Posted by Harold Gough View Post
Thanks, Peter.

Nice examples.

Negative contrast and presence are unfamiliar to me.

Probably wise as you will spend a lot of time fiddling with processing Raw.

You can process in ways which make things less contrasty which tends to flatten the tonal range and remove harsh edges. Similarly you can reduce the presence (clarity and colour vibrance) in a number of ways. If you do it in subtle ways and in selected areas you can chose the areas of focus by reducing the viewers interest in the non focus areas. Selective sharpening can also be helpful but only if well managed. I find most sharpening is used harshly.

The end result should not look processed. I am not looking to create unreality.

My training is as an artist / illustrator. And a painter I select exactly how I want you to view an image by composition, paint quality and edge treatment (amongst other techniques). I simply use the same thinking when I develop a photograph. Changing the content and composition at the taking stage, if possible and then developing in ways which help it later on. In the end all there is is the image. That is all you are exhibiting.

Interestingly I paint less now than I did - but still do both. But people viewing drawings and paintings are more impressed than with photographs. I think it is assumed that there is less skill, because the machine takes the image.
Peter (Art Frames)

You can see some of my things on Flickr
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